The Rosebuds

The Rosebuds released "Life Like back in October of this year on Merge record. CMJ charts have them moving from 10 to 9 this week. While I found the song "Life Like" catchy and entertaining what really caught my attention was a cover of Salt & Peppers "Push it". Here's a video on the making of the song. Apparently it was put together by their dog Jasmine.



Songs From Seeqpod:


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Wikipedia Bio:

The Rosebuds
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The Rosebuds

Ivan Howard and Kelly Crisp
Background information
Origin
Raleigh, North Carolina, United States
Genre(s)
Indie rockFolkDance
Years active
2001–present
Label(s)
Merge Records and Pidgeon English Records
Associated acts
Schooner
Website
http://www.therosebuds.com
Members
Ivan HowardKelly Crisp
Former members
Billy AlphinLee Waters
The Rosebuds are an indie rock band from Raleigh, North Carolina, United States. (They are not the original vocal group the Rosebuds who recorded for George Goldner's Gee Records in the 1950s.) Its current members are Ivan Howard (vocals/guitar/ drums/ bass/keyboards/programming) and Kelly Crisp (vocals/keyboard/drums/guitar). Billy Alphin had played drums on the album The Rosebuds Make Out and Lee Waters played drums on the record Birds Make Good Neighbors.
Howard and Crisp met while in college in Wilmington, North Carolina. That fall, they moved to nearby Raleigh and joined with drummer Billy Alphin of Schooner to form The Rosebuds. Merge Records discovered their demo in early 2003 and released The Rosebuds Make Out as a full-length debut album that October.
Following that recording, Alphin left the group and was replaced by Jonathan Bass for their 2003 touring schedule. The Rosebuds Unwind, an EP with six songs, was released in April 2005, followed by Birds Make Good Neighbors in September. The Rosebuds are now joined by Giorgio Angelini and Matt McCaughan on drums for shows and tours. In the premiere episode of the series Dirt, in one scene the song "4-Track Love Song" from Birds Make Good Neighbors is played in the background. Their third album, Night of the Furies, was released in April of 2007. A fourth full-length, Life Like, was released in Oct. 2008.
In 2007, The Rosebuds covered the Pixies' "Break My Body" for the American Laundromat Records compilation "Dig for Fire - a tribute to PIXIES". OK Go, They Might Be Giants, and British Sea Power also contributed to the project.
In 2008, the band again covered a song for American Laundromat Records. This time it was the Cure's "The Walk" for "Just Like Heaven - a tribute to The Cure". The Wedding Present, Dean & Britta, The Brunettes, and The Submarines also contributed tracks for the project.
Contents

Discography

[edit] Albums
The Rosebuds Make Out (CD) (Merge Records) (October 7, 2003)
The Rosebuds Make Out (LP) (Pidgeon English Records)
Birds Make Good Neighbors (CD) (Merge Records) (September 13, 2005)
Birds Make Good Neighbors (LP) (Goodnight Records) (September 13, 2005)
Night of the Furies (CD) (Merge Records) (April 10, 2007)
Night of the Furies (LP) (Goodnight Records) (April 10, 2007)
Life Like (CD/LP) (Merge Records) (October 7, 2008)

Singles and EPs
The Rosebuds Unwind (EP) (Merge Records) (April 22, 2005)
The Rosebuds vs. Utah! (split 7") (Pidgeon English Records)
The Rosebuds vs. The Close (split 7") (Goodnight Records)

External links
Official Site
Merge Records' The Rosebuds Bio
Live Video of the Rosebuds at scheduletwo.com
Live show photos of THE ROSEBUDS by Space Monkey Photography
Interview with Ivan Howard by Greg Szeto of Bmore Live
http://www.pidgeonenglish.com/bands.php
Lazy-i Interview: September 2004
The Rosebuds Blog, maintained by the band, with dispatches from tours etc.

Cheeky Cheeky & The Nosebleeds

So I ran across this song "You Let Me Go" by Cheeky Cheeky & The Nosebleeds and just couldn't get it out of my head. Can't seem to find the song on you tube vidoe or on Seeqpod yet. So go directly to their my space page and take a listen. They released the single Nov 3rd. Back in March they released "Slow Kids" which is catchy but not quite as good as "You Let Me Go".

Here it be:




Link to my space page: Cheeky Cheeky & The Nosebleeds

OF Montreal

Skeletal Lamping from Of Montreal was released last month on the 21st on Polyvinyl. It shot up the CMJ charts from 115 to number 2. But while the kids are diggin the sounds the album has gotten mixed reviews from the critics. Rolling Stone gave the album a great review and 4.5 out of 5 stars while Spin gave it a ho-hum 3 out 5. The ever critical Pitchfork is less than thrilled and gives the album 5.9 out of 10. We are not thrilled with the album and have to give it a thumbs down. Take a listen and make up your own mind:


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Wikipedia:

Of Montreal (officially typeset "of Montreal"[1]) is an American indie pop band formed in Athens, Georgia. Fronted by Kevin Barnes, it was among the second wave of groups to emerge from The Elephant 6 Recording Company.

History
The band was created by Kevin Barnes and named after a failed romance with a woman from Montreal, though the story changes in various interviews. Barnes was the only member of the "group" prior to his relocation to Athens, Georgia. There, he met Derek Almstead, later of the Circulatory System, M Coast, Elf Power etc., and Bryan Poole, who also performs as The Late B.P. Helium. Together, they recorded their first album, Cherry Peel, as well as The Bird Who Ate the Rabbit's Flower and The Bedside Drama: A Petite Tragedy.
After production on The Gay Parade began in 1998, Poole left the band to focus on his duties with Elf Power, another Elephant Six band from Athens. Barnes then recruited Jamey Huggins and Dottie Alexander, who had been performing together as Lightning Bug vs. Firefly, to play various instruments. Derek moved from drums to bass. The band was joined soon after by Marshmallow Coast's Andy Gonzales.
A number of singles and a re-release of The Bird Who Continues to Eat the Rabbit's Flower occurred before the advent of the band's third album, The Gay Parade in 1999. With contributions from several members of the Elephant Six collective at the time, it also featured artwork from Kevin's brother David Barnes, who would continue to do artwork for future albums.
Following the release of The Gay Parade, the band signed with Kindercore Records, who would release a number of singles and compilations. It wasn't until 2001 that Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse would be released as a new album with original material. The album again featured contributions from across the Elephant Six spectrum.

Of Montreal front figure Kevin Barnes playing in Gothenburg, Sweden in 2005
In 2002, Aldhils Arboretum was released, with a slightly different sound than its predecessors, as the songs were more directly structured. This album marks the beginning of the change in Of Montreal's sound, with more danceable rhythms than before, particularly on the album's closer "Death Dance Of The Omipapas and Sons For You". A successful tour ensued, including the band's first trip to the UK, along with a tour-only EP.
Kindercore Records would fold shortly after the release of Arboretum, and Of Montreal's status was also threatened. Kevin got married, and Andy and Derek left the band. Barnes, being uncomfortable with the unrest, as well as some divisions within the band, took to writing and performing their 2004 album Satanic Panic in the Attic mostly by himself. Released by Polyvinyl Records, it became one of their more successful efforts to that point. The album marked a shift to an electronic bass, with drum machines and synthesizers featured in singles such as "Disconnect the Dots". The tour for that album also saw The Late B.P. Helium (Bryan Poole) rejoin the band, with some bass played by Kevin's partner Nina.
This style would continue to evolve into 2005's The Sunlandic Twins, which was even more a Barnes solo effort. Recorded in Athens, with the exception of one track recorded in Norway, it was a much more pronounced electronic album. The album became a success, mostly due to the singles "So Begins Our Alabee" and the MTV clip for "Wraith Pinned to the Mist (and Other Games)".
The band released several collections of singles in early 2006. Barnes recorded most of the band's 2007 release, Hissing Fauna, Are You the Destroyer?, by himself while living in Norway and Athens, Georgia. The switch to autobiographical themes of suicide, depression and isolation of the album was a direct product of his troubled personal life during that period. Barnes also released a companion CD to Hissing Fauna, Are You the Destroyer? called Icons, Abstract Thee.[2] In 2007, Kevin Barnes performed five songs nude during a performance in Las Vegas.[3]
Of Montreal's next album, Skeletal Lamping, was released on October 21, 2008. The album was released in ten different formats, including conventional CD and vinyl, as well as t-shirts, button sets, wall decals, tote bags and a paper lantern, the latter formats replete with a digital download code for the album itself[4]. All items for the collection were designed by The Bee With Wheels (David Barnes) and Gemini Tactics (Nina Barnes), a coalition termed the 'Apollinaire Rave Colective'. In an essay addressing the concept behind the album's release, Kevin Barnes stated "We feel that there’s no reason to produce another object that just sits on a shelf. We only want to produce objects that have a function and that can be treasured for their singularness."[5] The album reached number one on emusic's Most Downloaded Albums Chart, as reported in the November 14, 2008 issue of Entertainment Weekly.

Style

Of Montreal performing live at Baltimore in 2007
The group has a style that is typical of many Elephant 6 bands due to its interest in combining musical experimentation and the basic tenets of pop, such as catchy melodies and sing-along choruses. The band's style has been influenced by not only more conventional indie pop and psychedelic music, but also by vaudeville and music hall on their earlier releases and by afrobeat, funk, krautrock and reggae in their more recent releases.
The band's style has been known to change between albums. At first, the band embraced a more simple, quirky, lo-fi indie pop sound, which occasionally bordered on twee pop. Later the band moved to a fuller sound, as seen on the concept albums The Gay Parade, and its follow-up, Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse. These albums contain more narrative lyrics, as opposed to the rather personal lyrical matter of those preceding it, and often imitating the style of old 1950s radio plays.
2004's Satanic Panic in the Attic marked the result of an evolving change in style. The sound shifted to something more electronic with traditional structures, to be further advanced in later albums and new songs. In their most recent releases and concerts, the band has fully embraced a sort of techno-pop glam image, with little of their previous incarnations surfacing.
Lyrically, their style has changed dramatically throughout the years. In the beginning, many songs were narratives of personal or humorous situations, such as "Tim, I Wish You Were Born A Girl", from Cherry Peel. This style, however, changed with The Gay Parade, where many songs involve small narratives surrounding invented characters (in songs such as "Jacques Lamure", "The Autobiographical Grandpa", "Mimi Merlot" and "Rose Robert"). Others act as extracts from fictional conversations ("Advice From a Divorced Gentleman to His Bachelor Friend Considering Marriage" and "Good Morning Mr. Edminton" as examples). With Aldhils Arboretum came a slight return to the previous writing style, except following more poppy, classical lyrical structures (such as the use of choruses, which are generally absent in the Gay Parade/Coquelicot years). This style continued throughout Satanic Panic and The Sunlandic Twins to some extent. On the band's 2007 album Hissing Fauna: Are You the Destroyer?, the lyrics are much more personal than previously used, with songs detailing emotions within the speaker.
Another unique quality of the band is the fusion of ostensibly gloomy lyrics with bouncy, upbeat melodies and hooks. On Aldhils Arboretum, for example, the lyrics for tracks like "Doing Nothing" and "Old People in the Cemetery" focus on apathy, loneliness or death while being contrasted with cheerful instrumentation. Another example of this tendency is shown in their choice of covers; for example, Yoko Ono's "I Felt Like Smashing my Head Through a Clear Glass Window" from The Bird Who Continues to Eat the Rabbit's Flower.

Side projects
True to the style of most Elephant Six recording artists, Of Montreal's members have been in a variety of side projects and other bands.
The band itself has performed as the backing band for Marshmallow Coast on record and on tour.
My First Keyboard was the pseudonym used by Dottie Alexander to release the song "The You I Created" on the Kindercore singles club. Of Montreal acted as her backing band.
Kevin Barnes did a comedy tour with his wife, Nina, and his brother, David, called "A Pollinaire Rave".
Jamey Huggins released an album under the name "James Husband" which featured a cover of The Beatles' "We Can Work it Out".
Bryan Poole has a solo career as the Late B.P. Helium.
Kevin Barnes has recently been collaborating with Andrew VanWyngarden from MGMT, on a project called Blikk Fang (formerly Ocelot Fang).[1]
Derek Almstead has worked with many artists as a musician and engineer including his collaboration with Andy Gonzales M Coast, Elf Power, Circulatory System, and many more.
Kevin Barnes played keyboard in a song on Bright Eyes' album Letting Off the Happiness.
Ahmed Gallab has a solo career as Sinkane
The song "Wraith Pinned to the Mist (And Other Games)" can be heard on radio and television commercials with words changed for an advertisement for Outback Steakhouse. Similarly, their song "Every Day Feels Like Sunday" was used in television commercials for NASDAQ and Garmin GPS systems.

Discography

Studio albums
1997 Cherry Peel (Bar/None)
1998 The Bedside Drama: A Petite Tragedy (Kindercore)
1999 The Gay Parade (Bar/None)
2001 Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse (Kindercore)
2002 Aldhils Arboretum (Kindercore)
2004 Satanic Panic in the Attic (Polyvinyl)
2005 The Sunlandic Twins (Polyvinyl)
2007 Hissing Fauna, Are You the Destroyer? (Polyvinyl, #72 US)
2008 Skeletal Lamping (Polyvinyl, #38 US)

Compilations
2000 Horse & Elephant Eatery (No Elephants Allowed): The Singles and Songles Album (CD, Bar/None)
2001 The Early Four Track Recordings (CD/LP, Kindercore)
2001 An Introduction to Of Montreal (LP, Earworm)
2003 If He Is Protecting Our Nation, Then Who Will Protect Big Oil, Our Children? (CD, Track & Field)
2003 Ghetto Kitty Island Records Compilation (7", Split with Chicken on a Raft, Bart Davenport, and The Minders, Ghetto Kitty Island Records)
2004 The Gladiator Nightstick Collection (LP, Devil in the Woods)
2006 Satanic Twins (limited edition LP/digital release, Polyvinyl)
2006 Of Montreal Sampler (free promo CD, Polyvinyl)

EPs
1997 The Bird Who Ate the Rabbit's Flower (CD/LP, Kindercore)
1998 The Bird Who Continues to Eat the Rabbit's Flower (CD/LP, Kindercore)
2006 Deflated Chime, Foals Slightly Flower Sibylline Responses (CD, Polyvinyl)
2007 Icons, Abstract Thee (CD, Polyvinyl)
2007 Sony Connect Set (digital, Sony Connect/Polyvinyl)

Singles
1998 "Nicki Lighthouse" (7", 100 Guitar Mania)
1999 "Happy Happy Birthday To Me Singles Club: November" (7", Happy Happy Birthday To Me Records)
2000 "Archibald of the Balding Sparrows" (7", Kindercore, Split with Marshmallow Coast))
2001 "Kindercore Singles Club: September" (7", Kindercore, Split with Ladybug Transistor))
2001 "Split With the Late B.P. Helium" (7", Jonathan Whiskey)
2003 "Jennifer Louise" (7", Track & Field)
2004 "I Was a Landscape in Your Dream" (7", Harvest Time Recordings)
2006 "Microuniversity" (7", Park the Van)
2006 "Voltaic Crusher"/"Undrum to Muted Da" (7", Suicide Squeeze)
2006 "She's a Rejector" (7", Polyvinyl)
2007 "Suffer For Fashion" (CD, Polyvinyl)
2007 "Gender Mutiny Tour" (7", Polyvinyl)
2008 "Id Engager" (7", Polyvinyl)

Soundtracks
2005 Music from the OC: Mix 5 (Warner Bros./Wea)
2006 Weeds: Music from the Original Series, Volume 2
2008 Cloverfield

External links
Of Montreal's official site
Of Montreal on Elephant6.com
Myspace Page

Interviews
Of Montreal adds swag to its musical swagger Boston Herald
Lazy-i Interview from April 2004
Interview with the Cornell Daily Sun
Interview with Synthesis magazine
Of Montreal interview at exclaim
Of Montreal at rolling stone
Of Montreal concerts and interviews at NPR Music
'Linear Notes' from Kevin Barnes with DIRTY - 20th October, 2008

References
^ The DL: of Montreal Clear Up Capitalization Confusion - Spinner.com
^ Aversion.com: Desperate Measures, by Matt Schild, accessed 29 January 2007
^ Pitchfork: NSFW: Of Montreal's Kevin Barnes NAKED!
^ The Skeletal Lamping Collection
^ 'We Will Only Propagate Exceptional Objects'

Deerhunter

Deerhunter released Microcastle on Kranky Recods on October 28th. Pitchfork is sticking the album in its best new music catogory and is giving the album a 9.2 out of 10 rating. Its moved up the CMJ charts to number 13. Haven't had time to listen to this one so I have no opinion at the momment. Take a listen and figure it out for yourself.


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Wikipedia:

Deerhunter is an American five-piece group originated from Atlanta, Georgia. The band, comprised of Bradford Cox, Moses Archuleta, Josh Fauver, Whitney Petty, and Lockett Pundt, has described themselves as "ambient punk," though they incorporate a wide range of genres, including noise rock, art rock, ambient, and post-punk.
Contents[hide]


Members
Bradford Cox - vocals, electronics, tapes, drum, acoustic slide guitar, bell set, accordion, electric guitar, piano, bass drum, gong
Moses Archuleta – drums/percussion, synth/pads, electronics, treatments
Josh Fauver - bass, piano, percussion, reverse guitar, vocals
Lockett Pundt - synth bells, guitar, acoustic slide guitar, hammond organ, vocals
Whitney Petty - guitar

History

Formation and "Turn It Up Faggot" (2001-2005)
The band was co-founded in 2001 by vocalist Bradford Cox and drummer/keyboardist Moses Archuleta.[1] The name Deerhunter came from the band's first drummer, Dan Walton, who was asked to leave the band early in its career.[2] The band were joined by Colin Mee, whom Cox met while Mee was living at the Atlanta label Die Slaughterhaus Records with members of Black Lips. In 2004 the group's first bassist, Justin Bosworth, died of head injuries suffered in a skateboarding accident. He appeared on only one Deerhunter release, the Deerhunter/Alphabets Split, issued before their debut album. Joshua Fauver, of Atlanta punk band Electrosleep International, then took up the position as bassist. Bosworth's death influenced the sound of Deerhunter's first album, "Turn It Up Faggot", which was "the result of a lot of negativity".[3] After the band finished the album, in an indication of how difficult it was to record in the wake of his bandmate's death, Cox said "I don't ever want to make this album again".[3] The album's liner notes are dedicated to Bosworth. After the release of "Turn It Up Faggot", Cox asked his best friend from high school, Lockett Pundt, to join the band, thus solidifying the current line up.

Cryptograms and Fluorescent Grey EP (2005 - 2007)
The band, now featuring Pundt's reverb-saturated guitar sound, began to hone their songwriting skills. They went on tour, playing shows with the likes of Lightning Bolt and Gang Gang Dance. This tour culminated in a recording session engineered by acclaimed folk musician Samara Lubleski at Rare Book Room, New York.[4] This session failed to produce anything that could be used, due to Cox’s mental and physical state at the time, as well as disagreements that emerged with Samara Lubleski.[4] Cox has kept a copy of the sessions on "a scratched CD-R under my bed" and has stated that "nobody will ever hear them".[4] (In spite of Cox's claim excerpts from those sessions were later posted as a free download on the band's blog.) The band returned to the same studio where they recorded their first album outside Athens, Georgia and decided to give recording their second album another attempt. This was partly due to advice received from the band Liars, who encouraged them to re-record it.[4]
It took only two days in November 2005 for the band to record their second album, entitled Cryptograms. In 2006, before its release, Pitchfork Media added "Spring Hall Convert", a song from the record, to its "Infinite Mix Tape series". It was the 51st entry.[5] Deerhunter's second album was released by Kranky in January of 2007. The album revealed a more "subdued and introverted"[6] sound for the band. In explaining the ambient sounds on the record Cox has said, "what I needed when we were doing Cryptograms was to be comfortable with these warm, lulling, droning kinds of things. And that's what made me comfortable at that time..."[4] Upon release, their CD garnered the title of "Best New Music" from Pitchfork Media. As with their first album, Cryptograms also had a dedication inside the album's liner notes, this time to a friend of Cox's, Bradley Ira Harris. Harris was a heroin addict who passed away in 2005. Cox identified with Harris, because he too was an "outsider".[4]
On May 8, 2007, the group released the Fluorescent Grey EP, which was recorded in July 2006. This EP also garnered the title of "Best New Music" from Pitchfork Media. In the same month, the band released the Whirlyball 7" single, which was available at only one store in Atlanta, Georgia: Criminal Records. The single also acted as a ticket to a show, which featured the band along with The Carbonas, Selmanaries and The Coathangers. The single was available online for a limited time after the show due to popular demand, but only 200 copies were pressed, with 100 on black vinyl and 100 on clear vinyl.[7]
On the 29th of August 2007, the group became a quartet with the loss of guitarist Colin Mee. Mee departed because he "...couldn't make it to a couple of shows we had booked next weekend and that was unacceptable to certain bandmates".[8] In addition to this reason, Mee felt that the band "were receiving (and creating) too much press that had nothing to do with any new music being created".[9] This comment was in reference to the band's blog, which had been the object of increased media attention due to certain posts, "I don't want to be overexposed. I don't want the world to know what our excrement looks like or what we are selling on eBay or whether we got robbed".[9] He added that "I have nothing against anyone and I'm sure things will work out fine".[8] However, Mee returned to the fold for their autumn 2007 European tour.

Future and Microcastle (2007-present)
Deerhunter made an appearance on Living Bridge, a compilation put together by Rare Book Room Records. The song that appeared on the compilation was entitled "After Class" and was recorded in the same place where they attempted to record their second album, the Rare Book Room studios. It was released in February 2008.
The quartet's third album, slated to come out in 2008, will be titled Microcastle. One of the songs from the record, whose title has been confirmed as "Twilight at Carbon Lake", has been described by Cox as "doo-wop, 50s/early 60s, Everly Brothers".[10] Microcastle leaked on the internet May 31, 2008.
The band added guitarist Whitney Petty, a former cheerleader and high school friend of Cox's, to replace the departing Mee in May 2008.

Influences
Lead singer Bradford Cox has cited many musical influences that contribute to Deerhunter's sound, some of which include The Clean, The Fall, The Flying Lizards, Kompakt records, The Birthday Party, The Bad Seeds, and Liars. However, if their influences had to be "narrowed down",[11] Cox would note their "defining influences" as Echo & The Bunnymen, Brian Eno, David Bowie and My Bloody Valentine.[11]

Discography

Albums
Year
Title
2005:
"Turn It Up Faggot"/Deerhunter
2007:
Cryptograms
2008:
Microcastle
Weird Era Cont.

EPs
Year
Title
2005:
Deerhunter/Alphabets Split
2006:
Deerhunter 7"
2007:
Fluorescent Grey EP
Whirlyball 7"

Singles
Year
Title
2006:
Deerhunter/Hubcap City Split
2008:
"Grayscale"

Compilation appearances
Year
Song
Compilation
2007:
"Hazel St."
The Believer: Cue the Bugle Turbulent
"Spring Break"
Musicfest NW Vol. 2
2008:
"After Class"
Living Bridge
"Like New"
Lights in the Sky: Over North America 2008 Tour Sampler EP

Touring
Deerhunter have garnered a reputation for their intense live shows. Cox has worn sundresses and has performed with fake blood smeared over his face and hands, their live show being "much more savage" than their albums.[12] In his explanation of the sundresses Cox has said, "I don't like the idea of going around stage in just jeans and a t-shirt. It seems anticlimactic."[10]
Deerhunter supported Nine Inch Nails on their 2008 tour on the following dates.
2008 Dates
Location
Venue
Aug 5th 2008
Toronto, Ont
Air Canada Centre
Aug 7th 2008
Uncasville, Ct
Mohegan Sun Arena
Aug 8th 2008
Worcester, Ma
DCU Center
Aug 12th 2008
Knoxville, Tn
Knoxville Civic Collseum
Aug 13th 2008
Duluth, Ga
Gwinnett Arena
Sept 2nd 2008
Morrison, Co
Red Rocks Amphitheater
Sept 3rd 2008
Salt Lake City, Ut
The E Center of West Valley
Sept 5th 2008
Oakland, Ca
Oracle Arena
Sept 6th 2008
Inglewood, Ca
The Forum

Past touring
Deerhunter played with TV on the Radio and Project Pat at the Spring Fling outside Connecticut's Wesleyan University.
They supported the Liars during a portion of their American tour in May 2006, playing in Georgia and a host of other places like California and Texas.
They supported the Yeah Yeah Yeahs on their tour of Georgia. Lead singer of the Yeah Yeah Yeahs and professed fan, Karen O, has hailed Deerhunter's live shows as a "religious experience".[13]
They were scheduled to support The Smashing Pumpkins for two dates in Asheville, North Carolina, but left after playing only one, due to a confrontation between Cox and Smashing Pumpkins's lead singer Billy Corgan, during which Cox was allegedly manhandled by a stage manager. The Smashing Pumpkin's management apologized, and the issue was resolved.
In July 2007 the band supported The Fiery Furnaces on their tour of Georgia.
They also performed with the reunited Ex-Models at the Bowery Ballroom in July, before making an appearance at the Pitchfork Music Festival.
They supported Battles on part of their American tour.

See also
Atlas Sound

References
^ "Don't Quit Your Day Job". Stereogum. Retrieved on 2007-06-20.
^ "Deerhunter Images". Stereogum. Retrieved on 2007-12-08.
^ a b "Youth Gone Wild: Deerhunter's young punks try to fight off adulthood". Creative Loafing. Retrieved on 2007-06-10.
^ a b c d e f "Interview: Deerhunter". Pitchfork Media. Retrieved on 2007-06-25.
^ "Infinite Mixtape #51: Deerhunter: "Spring Hall Convert"". Pitchfork Media. Retrieved on 2007-07-10.
^ "Interview: Deerhunter". Stylus Magazine. Retrieved on 2007-10-30.
^ "Deerhunter Whirlyball 7" Single". Chunklet. Retrieved on 2007-06-10.
^ a b "stereogum: Colin Mee Leaves Deerhunter". Stereogum. Retrieved on 2007-09-01.
^ a b "Guitarist Colin Mee Explains Why He Left Deerhunter". Pitchfork Media. Retrieved on 2007-09-01.
^ a b "Deerhunter's Cox Talks LP3, Atlas Sound, Dresses". Pitchfork Media. Retrieved on 2007-06-09.
^ a b "yo yo yo". Deerhunter Blog. Retrieved on 2007-12-08.
^ "Hazy Clouds of Sound, Halfway Intelligible Vocals". The New York Times. Retrieved on 2007-06-10.
^ "Fun Fact". Deerhunter at Eventful. Retrieved on 2007-06-10.

External links
Band Maintained Blog
All Music Guide Profile
Myspace Page
Justin Bosworth Blog Post
Nerve Magazine Article
Guest List at Discollective
Interview at Press Play and Record

Deerhunter